What kind of equipment can I expect to hire?

Most suppliers offer cameras and lenses, lighting and grip, sound recording gear, monitors, and power equipment such as generators or distribution. Larger houses often bundle these into packages tailored to the size and style of a shoot, while smaller ones specialise in one area, such as lighting or camera bodies.

Do I need to hire an operator along with the equipment?

It depends on the kit. Grip and basic lighting are commonly self-operated, but specialist camera systems, drones, or complex rigs often come with a technician for setup and sometimes for the whole shoot day. It's worth asking directly, since practice varies a lot between suppliers and even between items at the same supplier.

How does the deposit and insurance work?

Suppliers typically hold a refundable deposit or a card authorisation to cover loss or damage, separate from the hire fee itself. Some require proof of your own production insurance before releasing higher-value kit, and it's sensible to confirm whether that cover extends to equipment taken off your home turf.

Can I take hired equipment across borders for a shoot?

Sometimes, but it needs planning. Crossing borders with rented gear can require a carnet or clear customs documentation, and not every domestic insurance policy automatically covers equipment once it leaves the country of hire. Raise this with the supplier before booking if the shoot involves travel.

Is hiring in a capital city different from hiring in a smaller regional centre?

Capital-city suppliers tend to hold deeper stock and more specialist or newer kit, useful for demanding technical setups. Regional houses are often more flexible on scheduling and pricing for straightforward jobs, and can be a practical choice when a production doesn't need the widest possible range of equipment.

How far ahead should I book equipment?

For common items like standard lighting or grip, short notice is often fine. Specialist cameras, drones, or full production packages get booked up faster, especially around busy shoot seasons, so confirming availability early is worth doing once a shoot date is set.

Video and film production equipment rental in Europe

87 video and film production equipment rental companies across 30 countries in Europe, with the largest concentrations in Norway (6), Bulgaria (5) and Iceland (5).

87 entries in Tech — Video and film production equipment rental — page 3 of 4

Video and film production equipment rental covers the physical kit a shoot needs beyond the crew itself: cameras and cinema lenses, lighting rigs and grip, sound recording gear, monitors and playback systems, and the generators or power distribution that keep everything running on location. Houses serving this market range from broadcast-grade specialists who supply full packages with a technician attached, to smaller outfits offering self-collect kit for corporate or student productions. Vehicles fitted out for mobile power or camera cars sometimes fall under the same suppliers, particularly where a production needs everything coordinated from one point of contact.

Hire is usually priced by the day or the week, with a discount built into longer runs, and most suppliers ask for a refundable deposit or a card authorisation held against damage or loss. Whether a technician or operator comes with the kit depends on the complexity of the equipment and the supplier's own staffing model; lighting and grip are often self-op, while specialist camera systems or drones tend to come with someone qualified attached, at least for setup. Delivery to set is common for larger packages, though smaller items are frequently collected from a warehouse or shopfront.

What you need to check before booking varies by country. Power standards differ between the UK and the rest of Europe, which matters for anything mains-fed. Moving equipment across borders for a shoot may require a carnet or at least clear customs paperwork, and insurance that's valid domestically doesn't always extend automatically abroad. Contracts and damage waiver terms are worth reading closely, and it's worth asking whether a quoted rate includes VAT, since practice differs between capital-city houses and smaller regional suppliers.

Frequently asked

What kind of equipment can I expect to hire?: Most suppliers offer cameras and lenses, lighting and grip, sound recording gear, monitors, and power equipment such as generators or distribution. Larger houses often bundle these into packages tailored to the size and style of a shoot, while smaller ones specialise in one area, such as lighting or camera bodies.
Do I need to hire an operator along with the equipment?: It depends on the kit. Grip and basic lighting are commonly self-operated, but specialist camera systems, drones, or complex rigs often come with a technician for setup and sometimes for the whole shoot day. It's worth asking directly, since practice varies a lot between suppliers and even between items at the same supplier.
How does the deposit and insurance work?: Suppliers typically hold a refundable deposit or a card authorisation to cover loss or damage, separate from the hire fee itself. Some require proof of your own production insurance before releasing higher-value kit, and it's sensible to confirm whether that cover extends to equipment taken off your home turf.
Can I take hired equipment across borders for a shoot?: Sometimes, but it needs planning. Crossing borders with rented gear can require a carnet or clear customs documentation, and not every domestic insurance policy automatically covers equipment once it leaves the country of hire. Raise this with the supplier before booking if the shoot involves travel.
Is hiring in a capital city different from hiring in a smaller regional centre?: Capital-city suppliers tend to hold deeper stock and more specialist or newer kit, useful for demanding technical setups. Regional houses are often more flexible on scheduling and pricing for straightforward jobs, and can be a practical choice when a production doesn't need the widest possible range of equipment.
How far ahead should I book equipment?: For common items like standard lighting or grip, short notice is often fine. Specialist cameras, drones, or full production packages get booked up faster, especially around busy shoot seasons, so confirming availability early is worth doing once a shoot date is set.

Video and film production equipment rental in Europe

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